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Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare, percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history -- as he would later illustrate with his series of historical albums -- that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles.
Cash was born and raised in Arkansas, moving to Dyess when he was three. By the time he was 12 years old, he had begun writing his own songs. He was inspired by the country songs he had heard on the radio. While he was in high school, he sang on the Arkansas radio station KLCN. Cash graduated from college in 1950, moving to Detroit to work in an auto factory for a brief while. With the outbreak of the Korean War, he enlisted in the Air Force. While he was in the Air Force, Cash bought his first guitar and taught himself to play. He began writing songs in earnest, including "Folsom Prison Blues." Cash left the Air Force in 1954, married a Texas woman named Vivian Leberto, and moved to Memphis, where he took a radio announcing course at a broadcasting school on the GI Bill. During the evenings, he played country music in a trio that also consisted of guitarist Luther Perkins and bassist Marshall Grant. The trio occasionally played for free on a local radio station, KWEM, and tried to secure gigs and an audition at Sun Records.
 Cash finally landed an audition with Sun Records and its founder, Sam Phillips, in 1955. Initially, Cash presented himself as a gospel singer, but Phillips turned him down. Phillips asked him to come back with something more commercial. Cash returned with "Hey Porter," which immediately caught Phillips' ear. Soon, Cash released "Cry Cry Cry"/"Hey Porter" as his debut single for Sun. On the single, Phillips billed Cash as "Johnny," which upset the singer because he felt it sounded too young; the record producer also dubbed Perkins and Grant the Tennessee Two. "Cry Cry Cry" became a success upon its release in 1955, entering the country charts at number 14 and leading to a spot on The Louisiana Hayride, where he stayed for nearly a year. A second single, "Folsom Prison Blues," reached the country Top Five in early 1956 and its follow-up, "I Walk the Line," was number one for six weeks and crossed over into the pop Top 20.
Cash had an equally successful year in 1957, scoring several country hits including the Top 15 "Give My Love to Rose." Cash also made his Grand Ole Opry debut that year, appearing all in black where the other performers were decked out in flamboyant, rhinestone-studded outfits. Eventually, he earned the nickname of "The Man in Black." Cash became the first Sun artist to release a long-playing album in November of 1957, when Johnny Cash With His Hot and Blue Guitar hit the stores. Cash's success continued to roll throughout 1958, as he earned his biggest hit, "Ballad of a Teenage Queen" (number one for ten weeks), as well another number one single, "Guess Things Happen That Way." For most of 1958, Cash attempted to record a gospel album, but Sun refused to allow him to record one. Sun also was unwilling to increase Cash's record royalties. Both of these were deciding factors in the vocalist's decision to sign with Columbia Records in 1958. By the end of the year, he had released his first single for the label, "All Over Again," which became another Top Five success. Sun continued to release singles and albums of unissued Cash material into the '60s.
 "Don't Take Your Guns to Town," Cash's second single for Columbia, was one of his biggest hits, reaching the top of the country charts and crossing over into the pop charts in the beginning of 1959. Throughout that year, Columbia and Sun singles vied for the top of the charts. Generally, the Columbia releases -- "Frankie's Man Johnny," "I Got Stripes," and "Five Feet High and Rising" -- fared better than the Sun singles, but "Luther Played the Boogie" did climb into the Top Ten. That same year, Cash had the chance to make his gospel record -- Hymns by Johnny Cash -- which kicked off a series of thematic albums that ran into the '70s.
The Tennessee Two became the Tennessee Three in 1960 with the addition of drummer W.S. Holland. Though he was continuing to have hits, the relentless pace of his career was beginning to take a toll on Cash. In 1959, he had begun taking amphetamines to help him get through his schedule of nearly 300 shows a year. By 1961, his drug intake had increased dramatically and his work was affected, which was reflected by a declining number of hit singles and albums. By 1963, he had moved to New York, leaving his family behind. He was running into trouble with the law, most notably for starting a forest fire out West.
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